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Keaton began studying acting at the Neighborhood Playhouse in New York City.

She initially studied acting under the Meisner technique, an ensemble acting technique first evolved in the 1930s by Sanford Meisner, a New York stage actor/acting coach/director who had been a member of The Group Theater (1931–1940).

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After being nominated for a Tony Award for Play It Again, Sam, Keaton made her film debut in Lovers and Other Strangers (1970).

She followed with guest roles on the television series Love, American Style and Night Gallery, and Mannix.

Her fourth, Annie Hall (1977), won her the Academy Award for Best Actress.

Keaton subsequently expanded her range to avoid becoming typecast as her Annie Hall persona.

Allen based the character of Annie Hall loosely on Keaton ("Annie" is a nickname of hers, and "Hall" is her original surname).

Many of Keaton's mannerisms and her self-deprecating sense of humor were added into the role by Allen.

Coppola noted that he first noticed Keaton in Lovers and Other Strangers, and cast her because of her reputation for eccentricity that he wanted her to bring to the role The Godfather was an unparalleled critical and financial success, becoming the highest-grossing film of the year and winning the Best Picture Oscar of 1972.

Two years later she reprised her role as Kay Adams in The Godfather Part II.

In 1977, Keaton starred with Allen in the romantic comedy Annie Hall, one of her most famous roles.

Annie Hall, written by Allen and Marshall Brickman and directed by Allen, was believed to be autobiographical of his relationship with Keaton.

She was initially reluctant, stating that, "At first, I was skeptical about playing Kay again in the Godfather sequel.

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